Collections

A meditation on the paradoxes of urban life, Midtown distills the architecture and financial pulse of New York City into sharp geometric abstraction. These works reflect the tension between ambition and alienation, success and collapse — capturing a city that builds upward while fracturing within.

A fusion of Gemini’s duality and minimalist clarity, Geminimal explores the beauty and instability of opposites in motion. Through mirrored forms and refined abstraction, Babos examines balance, polarity, and the elusive possibility of synthesis in a divided world.

A philosophical inquiry into infinity, isolation, and the architecture of consciousness. Everest uses geometric abstraction to probe the tension between the finite and the boundless — where stillness becomes motion, and the sublime reveals itself in silence.

A conceptual series investigating transition, liminality, and metaphysical choice. In Doors, thresholds become symbols of access and exclusion, freedom and fate. Each piece asks: what does it mean to cross, to wait, or to never know what lies beyond?

A stark dissection of the systems that produce and sustain violence, War reimagines abstraction as a language of confrontation. In these works, geometry becomes strategy, texture becomes trauma, and color becomes moral indictment. Babos draws from his own military background to expose war not as chaos, but as design — coded, calculated, and disturbingly elegant.

A retrospective of Babos’s early period, Classique blends Hungarian realism with emerging abstraction. Landscapes, still lifes, and portraits carry traces of social commentary, rendered through a lens of discipline, heritage, and quiet revolt.